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mrlich: Photo with great thanks to Joe del Tufo - http://www.deltufophotography.com (Default)
Well, for those of you who don't already know, my main desktop PC has taken a big fat turd and is done. I'm pretty sure that I can fix it.

But I refuse.

The poor beast is a frankensteined collection of probably 4-6 generations of hardware. It's time to put the poor thing down. She's been good and faithful, but I think that I make enough money that it will be a better use of my time to buy a new machine off the shelf of some big box company, strip it of all the crap they load on it for 'Joe-Home-User' and have it... well... just work. Obviously that doesn't mean that I won't ever hack or mod the thing, but at least for a time, I want a machine that just does what it's supposed to do without me holding its virtual hand and stroking the case sweetly while saying prayers to long dead gods in the hopes that it might get through the night.

Clearly I'm putting too much thought into this.

Anyway. The point is that I am not without my ability to surf teh intarwebs or post to LJ, but it does vastly restrict my ability to do digital art. Both of my laptops are not exactly what one would call 'gaming rigs' This means that anything I do digitally will not likely be anything I could use for prints - even when using software with as few system requirements as Open Canvas 1.x (which I am still amazed would fit on a 1.44 floppy unzipped!).

I want to wait until [personal profile] xtingu and I are in our new place before I go buying a new desktop. We're so close to move in day that I don't want to buy a machine just to transport twice.

But I was getting the digital art itch. I've been doing more with traditional media. (See crappy camera phone 'scans' here and here.) As usual, I found myself learning at a rapid rate when I forced myself to shift gears back to traditional, but it just doesn't satisfy me the way that digital stuff does. Especially with OC's ability to replay the process, I find that I learn a lot from digital as well, I can work (muuuuch) faster and it more readily translates to the net (I don't have my scanner hooked up to either of my laptops and wouldn't want to really).

AnyMcWhoozles, I tell you all this to let you know that I finally installed the driver for my wacom and did a quick sketch self portrait -
As always, I'm more than a little interested in everyone's thoughts - so comment away.
mrlich: Photo with great thanks to Joe del Tufo - http://www.deltufophotography.com (wolfin out)
So I sat down tonight to do some work on a project that I'm part of. I wanted to do some of the art-side of my responsibilities, so I thought that I would loosen up a bit with some sketching. I had an idea that I wanted to do - just to loosen up. I need to get the 'feel' back because I've been away from illustration for far too long.

I would say that the results of my 'loosen up exercise' is possibly the best sketchwork I've ever done in my life.

I'm going to keep working on it, but I'm leaving it like this for now because I'm reaching that point where I start to worry that I'll kill it by over-doing something.

I will, of course, post here when I've more progress made.


My Buddy and Me by *patch24 on deviantART
mrlich: Photo with great thanks to Joe del Tufo - http://www.deltufophotography.com (jack_on_the_rocks)

Click here to jump to the original post for this experiment.
stage 4Stage Four: Touch Up/Clean Up - Yeah. I guess you could call it that, though it seems a bit deceptive. I spent another hour and a quarter on this bad boy, and I could easily spend a whole lot more on it. I'm not, but I could. Stick a fork in it, I'm calling it done (for now). I did have a lot of fun with it and I even got a little more daring at the end since Quito came in and gave me a few words of encouragement/advice. Overall, I would say (again) that the experiment was a success and I learned what I need to do to speed things up substantially. Why speed things up? Many reasons which I won't go into here, but suffice to say that if I want to make any kind of money through art, speed becomes a significant factor.

Now for my thoughts on the image itself (a critique, I guess - as though I was looking at someone else's image):

  • I like the boldness of the revised inking - I really love a solid bold 'outline' to help bring objects into alignment visually. I like how significantly that helps to make things 'pop'.
  • Overall I like the colors, but I think that the greens need some pretty significant help
  • It needs a background, but I knew that wasn't happening since I was constricting myself time-wise
  • I like that I look like me (sorta - just more beefy)
  • I like that both our heads are more or less aligned - not sure what that says symbolically or whatever, but I like it
  • The horns could use a LOT more detail, and I would like to rework the dragon's head a bit more (it's supposed to be based on the 'center skull' from my navigation menu)

I plan on doing some more of these in the future, though I find it strange that this project technically should have only taken me a little under 3 hours, and it feels like my whole day (except for my yummy meal out with [livejournal.com profile] xtingu and the boys) was dedicated to it.

mrlich: Photo with great thanks to Joe del Tufo - http://www.deltufophotography.com (Default)

Click here to jump to the original post for this experiment.

Stage 3Stage Three: Colors - Dayam. I really wanted to complete the image in the allotted time, but more important than that was the idea of sticking with the time constraints. Thus, I give you this report of the progress I made. I'm going to see how much longer it's going to take me to actually finish the image, but clearly I needed more than the 45 minutes I had originally allocated. I guess I kinda knew that before I started this stage, but I figured I could just push myself more. I did push myself pretty good, and I think that I accomplished a lot given the speed with which I normally do my color work, so I think that it's fair to say that the experiment has been a pretty solid success. I've come to understand that there are times that I really just need to stop 'nit-picking' and get my butt in gear. Stop worrying about the details so early on - that's the main lesson learned. Now to just apply it more often...

...and to finish this image!

mrlich: Photo with great thanks to Joe del Tufo - http://www.deltufophotography.com (Default)
Stage Two - InkingClick here if you would like to go to the first post in this series.

Stage Two: Inking - Wow. I have to say that I really loved this stage. I found the image pulling together and becoming more 'tight' as if by magic. I found myself forced to make a single line to edge a form where I would normally be very 'sketchy'. I didn't have the time to be sketchy and refine it later. In fact, I had pretty much completely finished the image of me and had only 3/4 completed the head of the dragon when I realized that my time was over half gone. Also of note I love that I started to have the ability to 'hint at' a spot (like the dragon's toes) and have it flesh out very fast.

On to Stage Three!
mrlich: Photo with great thanks to Joe del Tufo - http://www.deltufophotography.com (Default)
Stage One Click here if you would like to go to the first post re: this experiment.

Okay, I've finished the raw sketchwork stage. Found it extremely difficult to keep myself to the 15 minute limit. Found myself thinking "but I don't have enough fleshed out for the inking stage" in reference to a wide range of parts to the image. This is all about time however, so I'm sticking to it. This is the result of the first stage. I will post a link to the WPE once the project is completed.

August 2021

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